Remote
Actions
by John
Lowther
The
strike starts the poem and dispenses luck
around
Words
turn
and
start lining up
The
elbow is a patrolled edge—take it
and
another less with the seeing, more
with
the getting
Until
there is nothing
Left.
No common
pool to the left
Only
paid seeps to the
Right. mysteriously
against those who
The
poem starts the mass strike, like an eight on
the
break.
Descant
not waiting here all day in the hallway
Honey
knees are packed. Saddle eyes
It’s
a long haul way back
but
this looks nothing like what hours are. Days.
I can
make minutes feel. Disem
Powered. Rails
converge and skinny trains
play
tug with a noose.
A nest
of bees looks empty
flatfoot
and declarative
Theatrical
architecture where no other notes are
allowed.
palliative
to the test.
Imagine
there is no welcoming Commune.
No
3.
What. are
you thinking
Blue
jeans
A tax.
Everything
feeds
going
on life with a second
Minute.
Trunks
sneaking up with PhDs
Like
aspirin in the ram
Takingout
Trash
nip.
No business
like show business.
This
inky eye (what do you ink?)
The
ink do you want dry,
Hear
half sum.
Why
do you laugh?
a
balloon trying to climb a mountain of ice on ice
skates.
Liner
on the notion, optioning anchors
In a
line is a way of saying back off
When
you have ghosts smuggled up the stairs
All
of Wednesday behind you.
Go to
hell with your metaphors.
~
Laughs
are rooms, whispers the way out
Not
loading lens with it
Nailes
into keys, a tapped
Note.
Includes
the bill and the back way out
Eleven
thirty five pants on fire
From
the nudes at church church. Tapping gnot a
tone
towards.
flaming
horshwhip Negativity up the railing
heretofore
uncly
deemed
hopelepoh
Like
trick transit on
gesturing
saidways. sins sem sauce.
It is
not my fault, save in failing it, not saying it
Touchy
Stealy. You are hearing me but I am only
talking.
Do you
like the arrangments so far?
My cloudlines
are low with socks and lines on them
footnotes
nothing really.
Do you
like the arrangement so far. That’s my
pointer.
Away,
where it started with, or already I am
doubting.
Trim
it up like stone. Can’t see the body from here
anyway. This
mere is mere and not reflective,
shorn
Torn,
of context forlorn just becauze. Candles.
Steak
knife rips through bill. Property is theft
Eight
Ninety-Nine but Thirteen w.postage
like
a salesman in front of it.
Fattening
affect.
Hawk
my mutter. WWI. What do I owe.
The
banality of deeds like cheeze
sticks
to the wrapper of an egg mcmuffin
built
into the leviathon.
Public
meat for punk. No
poem
so much as prison standoff.
There
wd have to be smiley fancing
for
our learning steps___ tires squeaking
distantly
and then again
and
an engine. Not now!
Cops
are breaking in.
Going
back to cut the tape is key.
Don’t
situation comedy me.
led
by beepers, or at least
honed
as user patron client consumer subject
held
by / alien in
Weight-like
steam shovel your spinal larnyx
making
bills
You
have expeditious slush
A new
It. Fractured
my skull thinking about
It.
fuck
off the stamp, throw the postcard away.
Outlaw
Ballad #9
Good. The
half sent born
wasting
previous thin minutes
seen
and not heard.
Wallow
if you must he’d say.
Holding
the candle
Cynical
gravitas, shovel some crap
Corrected
putterance, getting head
ache
in the convertible
anime
muscle spasm recidivist modem ant.
I let
them in when they said that.
nothing
worse than modern art.
My porch
hat on tornadoes.
Needle
drop inn. a gin.
After
museums.
Gunned
down in the street.
Grand
Theory of Nope
Stepping
prompt and turn and swing
pulling
laws is when
around
the corner
dim
bells top plank to, a pace of umpires
hostage
license application procedures
kickback
hotel liason
><
And
if not, why not? Hiatus
Someone
said their wouldbe
Hiatus
upon hiatus’ yet to
bamboozle
any seats.
Hunching
shameless for corner traffic
So convinced
to want to not to disbelieve
but nope.
Elsewhere
is fine. Elsewhere is more than adequate
to
the shape
and
will cover shipping
Practicing
my blue words for urban mythology
Which
I have to on the way to the bank.
Stopping
off gravy. Flow my tears Please
But
when falling we tend to go down. To
Up on
hopes I am the diagnosis of
A cheesecake
at room temperature
You’ve
seen all this before. Like famed roadside
attractions
Glitz
and eats and tshirts popcorn cassette tapes
Country
favorites rotating hotdogs on a warming
conveyance
to their immodest end
Curs
on the by way. Cultures in a pear tree dish
sucking
signal from the sky.
Elsewhere
is fine, elsewhere is a peach.
copyright © 2008
John Lowther
John
Lowther is a member of the Atlanta
Poets Group. His work has
appeared widely in both print and online and has been anthologized
in Another South (University of Alabama Press). He is a curator
at Eyedrum Gallery in Atlanta.