Days
Dreams, A Reprise
by
Gautam Verma
separated
by the thickness of a dream
furtive
and fertile like the weather measured
by 315
crosswords printed on the backs
of discarded
poems
in the
dream state a profound
unrelationality
(you occupy the border
absent/present
at the site of your encounters)
crosswords
belie by cutting both ways
one
never knows what one will need till one has need of it
it would
seem meticulously prepared the bag with books
4 books
of poetry 2 novels (one slight one substantial)
1 book
of biographia to excoriate 1 book to translate missing
E.B.’s Literary
Essays what
can I do? call L. have her
scan
some pages email them to me worlds within reach
exorcism
of needs
at the
airport I turned round repeatedly to look for you
and
you were there and you were there and you were
not
from
the airplane the city a circuit board circulatory
system
arteries ablaze (bright burning headlamps of cars)
clogged
outside
the airport the cabbie with the toothless smile
lends
me his phone to call mine who are late he would
like
to change some euro coins for rupees I haven’t any
so then
he would like to add to his collection my fingers
fumble
in my pocket draw up by the laws of likelihood
the
largest so it is his I am blessed a profound unreality
what
has to do with not being able to inhabit the moment
you
are in?
but
lying in bed this morning on the near surface
of sleep
the car horns the people the blares the beeps
whistles
accelerating motors tire squeals all that is
indubitably
unmistakably real
but
everyone says it seems like yesterday
I was
here
*
we move
from need to necessity to what can be
found
S.R.’s Shalimar the Clown I
begin
immediately
by dint
of this distance I begin to see you again
in your
absence as by your proximity you were
blurred
and blunt and buttressed what Modigliani knew
when
he neglected to paint the eyes of his subjects
and
look at them unimpeded
rediscovering
the adjective words most
like
words themselves
*
the
world is a fact the earth
a mystery
any
world that in its world making would
destroy
the earth that sustain it
be a
limit condition point of its own
untenability
but
an argument between earth and world
cannot
come down wholly on the side of earth
for
existence may mean nothing other
than
the making and unmaking of worlds
world
contained informed
by its
procedures what words
of resistance
would you write
and
rewrite the sentence
still
chained to its syntax?
(from
Arguments between Earth and World)
*
the
inwardness of gaze or eyes
directed
at events “off-stage”
or looks
crisscrossing into and
out
of the frame
what
the camera “steals” or
orchestrates
privilege
the privacy
of external
space in dappled
sunlight
in a garden a
certain
dis-interestedness
on the
part of women
gathered
there in baroque
Indian
dress is the power
they
wield over their own
image
color
came to the photograph
transforming
the everlasting
into
the transitory the mythic
into
the mundane
(after
the Raghu Rai retrospective)
*
that
the wrong thing be done for the right reasons
or the
right thing provide the worst possible end
for
all involved and we still be able to maintain
categories
of right and wrong seems to suggest
(one
would have to read Kant on this et al) an ethical
understanding
precedes our rationalization of it
that
there is a certain dis-simulation practiced
and
performed as rhetoric (rhetoric itself a form
of dissimulation)
mobilized circulates about
an absent
center in service of our satisfactions
(after
the film Gone Baby Gone)
*
Itinerary: leave
8th night arrive PP 9th morning all day in city
10th visit
genocide museum killing fields
11th early
boat to SR visit Angkor Wat
12th 13th all
day with the temples
14th leave
SR arrive Bombay late evening
*
Things
to Read / See: Adorno,
Minima Moralia
Eileen
Chang / Yukio Mishima
Ingeborg
Bachmann, Selected Poems, Malina
Samira
Makmalbah, At 5 o’clock in
the
afternoon
Ang
Lee, Lust Caution
*
and
then there is this other thing of which we have not spoken
(gestures
in the direction of metafiction or “the whites are coming”
encroachment
entitlement exploitation or over and again the
victim
who asks to be forgiven) writing itself as an act of violence
usurpation
of its subject estrangement and destabilization othering
akin
to murder
(after
I.B.’s Ways of Dying series)
*
or that
our indignation be cut from the same moral cloth that
drapes
the perpetrators of outrage so B.N. would remind us
*
Earlier
I never paid attention to dreams, nor did they amount to much, usually
hazy and full of wandering and sometimes colorful, but now, how menacing,
because it doesn’t seem strange, it’s part of me and
I have come to inhabit my own dreams. The puzzle of my days
is more important than the puzzle of my dreams, for you should understand
that there’s no dream puzzle, but rather the puzzle itself,
the puzzle of days, the undetectable chaos of reality that tries
to articulate itself in a dream . . .
I.B.
from “The Book of Franza”
Gautam
Verma’s first
full-length volume, The Opacity of Frosted Glass, is
forthcoming from Moria
Books.