Duplex
Kingdoms
by
Jadon Rempel
I
a malfunctioning
door locks in or out, permanent or not at all
one
side holds present a shadow of feet and not a lonely strip
of light,
the one time you always left home for a world of babies
born
to mourn the loss of something daily, the first time they
did
not cry and you, in search of redder meat, frantically doing
better
*
leaning
in a closet are the legs you use for falling, a reflex to feel
an appendage,
a latch in the absence of its pin misaligns
the
strike plate, pitch is heard from the recesses in the
register
of a dropped coin on metal
*
the
walls are salty as skin, yours
where
patched cracks tear through
the
human promise of scar tissue
*
there
is a lost pin in the esophagus of the building
*
you
could say like new, the table cleared of stomachs
fork
tines bent like fourths of banana peel, a place set
for
Jesus or Elijah just in case, without the table it is a
support
group meeting, without chairs we have no
children,
the way a room empties of space as we enter
*
a fresco
painted centuries prior reduced to the sum
of its
pixels, on the wall beside the bed we cover up
something
worse than bad photography then argue
nightly
about the artist
*
a planet
comprised of water and no water, God’s
teeth
soaking in hurricane liquid or the last of the
storm
encased clearly behind glass
*
more
poems than years I promised you a pack
on payday,
I promise, I’ve been writing
*
I’ll
meet you in a closet with two guns
*
found
pin in the throat building, in itself a suffocant
a cough
of cracked bricks, a place you know when
it crumbles,
dust-filled lungs enough to say, I hear
you
breathing in the asbestos
II
I never
told you
the
dream you strangled
with
tightrope wire
*
static
loud music, a record needle cuts
the
path of dust and old horns pawned
in the
firebox darkness, a voice harmonizing
with
its distant self, her missing tongue
a ring
muted by its finger falls naked to
the
floor spinning and stopping
*
card
follower a rabbit tusk, the calm
of a
man paints landscapes one cigarette butt
at a
time, when she sneaks from the house
sour
throated in search of a river to follow
beyond
a competition of fences our world
becomes
its own gutter of nature
*
in the
dark I am the circus freak
I could
never be
*
I stay
in the house dangerous and silent
a cartoon
banana peel, a knife beneath the bed
eyes
a perfect balance of bullet holes, I am
an old
woman asleep in the furniture held warm
beneath
an unfinished blanket
*
she
stops running long enough
to distinguish
noise from object
feet
sore wondering what shoes
he’d
written into the story and
where
*
furniture
of a horse eaten body, hidden
effigy
of things found in absence, abstracting
wood
from its glue like ribs from the wet paint
of skin
Jadon
Rempel’s work
has appeared or is forthcoming in Dear Sir, 42opus, the Rose & Thorn,
Blueprint Review, Misunderstandings, Existere, Boxcar, and
elsewhere. He is a recent Pushcart nominee and his latest chapbook, machine will
soon be available from Red Nettle Press.