from The
Apiary
by
Teresa K. Miller
It started
with a few bees going where they needed to go by walking on the ground. In
our low-context culture, disability exi(s)ts biologically within the
individual. I
called her again to say her son was making throat noises and refusing
to stay in his seat. We went to the movies and sat in a row of
friends not holding hands and he said I’m going to be a dad. A
cable snapped and the cars snaked for miles.
So much
dependence on a sentence, clause as unit of meaning. Then they
began to turn up on their backs, legs crawling in the air, or crouch
in a ball on the ground and stop moving. You remembered him as
the air being filled with birds. Versus full of. She told
me he was becoming a young man, finding his place in the world. Yes,
but he said “Excuse you.” Disability is both reified
and in need of fixing.
They
stopped moving and the still bodies clustered by the elevator, a few
on the stairs. It is not contextual, not in relation to society
or duty or what is expected of an individual. What is your fatherhood
in relation to a nuclear family, severed from context. An opinion
column lamenting the technological severance from supported courtship.
True
we are with one hand in each possible evening. I hadn’t
thought of where my name might end up. And were squished, a few
at a time, a constellation of crushed exoskeletons. He is defiant
and what will you do about it that I cannot. If one could be
taken seriously anymore, pen and paper. Who is she as you pass
this small body back and forth, if not yours.
There
grew something more than the line, than a book about prosody you gave
me for graduating from high school. A chair could earn a C if
it sat quietly all year. Before them were the bats, hanging dead
in caves, white fungus growing from their nostrils. Disability
must be fixed if this is the only life we have, and if we will live
again, it will be fixed then. She said Thank you for calling.
Teresa
K. Miller is
the author of a chapbook, Forever No Lo (Tarpaulin
Sky Press, 2008), and is a member of San Francisco’s
Sanchez Annex Grotto. She received her MFA from Mills College
and has published poems in print and online journals, including Moria, DIAGRAM, MiPOesias, ZYZZYVA, Columbia
Poetry Review, Coconut,
and Word For/Word. The
Apiary draws,
in part, from Kalyanpur & Harry’s analysis of conceptions
of disability in Culture in Special Education.