from SongBu®st

 

Stephen Bett

 

 

 

 

The Great Contender

 

 

The man who shot Liberty Valence

clearly didn’t care mucho much for Valencia

(nor likely cross-town rivals VillaRReal)

 

That derby hall a’ miRRors…    a’gin & redux

 

When Val rode to town the womenfolk would hide

(Rreal men & transfolk, they’d abide onside)

 

Give me hibbity jibbity or give me the point of a gun

the only law that [libs] understand

lib·bard·y for not from dems wackos

 

Rrose Sélavy likely-wise cried snide

in zir Yellow Submarine

(it’s true, #LookItUp!)

 

Putt it right on the platter

The man who flipped a birdie on yr Lib Pal

— poor Burt Bacharach, dead

at 94 just this week —

He was the [gravest] man of all

he was the Great Contender

 

Just laughing and gay like a clown

in my town*

 

 

 

*Gene Pitney, “The Man Who Shot Liberty Valence” & “The Great Pretender” (the latter also covered by The Platters, & both songs written by Burt Bacharach); properly speaking, Valencia & Villarreal Club Futbol are cross-region derby rivals (the latter’s motto: The Yellow Submarine”); & fondly recalling Grade 4 club Membership Card for “The-Look-It-Up-Club (motto: “We Don’t Just Guess, We Look It Up!”).

 

 

 

 

 

Inhabiting the Sound Gaps

 

 

I said see, C.C. Rider

Oh, see what you have done

 

You slipped ma’ disc, sailor grrl

Chopper Couture din’t stand a chance

 

Well now see, see see rider

… SEE what you have done

 

thIN diff:   dis ultra-tiny-tinny fit

you DISappeared, gap in the hall a’ …

holla!

 

I said see, see see rider (see, see rider)

see what you done done

 

Doubly (& parenthetically) minced

coma zone-out in my comma

 

Très infrathin of infra-thin & infra thin

the ol’ miRRor image RE-flect E-ffect overload

 

So whose fleet feet turns the page

tha’s extreme tenuity   (ThieRRy Davila)

 

published Dec 17, 2010, at 11:22 am

updated Dec 17, 2010, at 11:22 am

 

Same Diff times t’ree    — w/in da minute

one & one & two & two

 

Inhabit every in·ter·val (a hey hey)

C.—gap—C. at sea, oh see here sailor grrl

 

You are that dancin’ sound

 

Slippered outta dat vis·U·al hegemony

some différance, n’est pas?

 

The hear of her·e·sy

what you just Undone

 

Yas hear don’t see it

Surfer·Grrl*

 

 

 

*Mitch Ryder & the Detroit Wheels’ version of “See See Rider” (aka “C.C. Rider”); C.C., as in Chopper Couture (chopper apparel, huh?); several commentators on Marcel Duchamp’s infrathin or inframince concept, easily googled—among them: quoting Thierry Davila, curator of the Museum of Modern & Contemporary Art (Geneva); David Zerbib’s review of Davila’s book Infrathin: Bref histoire de l’imperceptible, de Marcel Duchamp…(published & updated within the minute, note); Paul Matisse (step-son of Duchamp, & grandson of Henry Matisse, collected & published Duchamp’s notes under the title Inframince: “inframince [is] the very lastness of things…[the] frail and final minimum before reality disappears.”

 

 

 

 

 

Insta Surfing

 

 

Liddle surfer, liddle one

Made my heart come all Undone

 

(Sailor’s gurl, heart’s a twURL)

 

Teeny-tiny itsy dot fitter-upper

reeled in, bought you by Rreal men

(In my Woody them’s would take you…)

 

Diss ol’ Miss O’ Ginny RE•verse flipped

chic-o-layin’ cutie pie voice print

all over our gooey screens

 

Do you wuv me, do you wi’dul star-twick one?

(jes’ me & mah Woody)

 

’N don’ go DISappearing in the gap

there’s have all Rreal womyn gone

 

Whoa, oh, mercy mercy me

things aint what they used to be…

 

On stage now #FiveSeconds Get•It & Forget•It

please identi•size Rupi Kaur

for Po•it Laur•E•ate

(made 30 mil las’ year!)

 

Infra-Mincing our way to you,

dear insta•read’R …

 

Lie-la-lie

Lie-la-lie-lie-lie-lie-lie, lie-lie-lie-lie-lie

Lie-la-lie-lie-lie-lie-lie

Lie-la-lie

Lie-la-lie-lie-lie-lie-lie, lie-lie-lie-lie-lie*

 

 

 

*Beach Boys, “Surfer Girl”; Paul Simon, “The Boxer”; Marvin Gaye, “Mercy Mercy Me”; as good an estimation of these ‘identity excl’ Instagram poets as I can see (& time-honoured too): “‘stop deceiving the uneducated crowd / with empty sweetness’ (Metamorphoses 5.308-9) / aesthetically superficial / ethically dishonest” — Joe Safdie, Scholarship, p. 44.

 

 

 

 

 

 

 

 

From Stephen Bett’s work in progress, SongBu®st: Breaking into song, or breaking it apart?  Maybe a bit of both.  Simultaneously a celebration & a send up of iconic pop culture lyrics.  Stephen Bett is a widely and internationally published Canadian poet with 24 books in print and with a new book, Broken Glosa: an alphabet book of post-avant glosa, coming out shortly with Chax Press.  His personal papers are archived in the “Contemporary Literature Collection” at Simon Fraser University.  He has previously appeared in ē· rā/ tiō.  Stephen Bett in online at StephenBett.com

 

 


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