Three
Poems
by
Melanie Brazzell
Destiny is just a choice
you keep making
again and again and again.
. . .
You
lay black weight on the belly
of the
water, I watch —
just
the shape of your obscurity,
forceps
clamped on the dawning edges of your mystery.
We may
never know the ontology of holes.
This
multiplication table upon which
we lay
and do our business, I say
I do
not wish to be in love,
only
to ache over the agar of this infection.
Anthropometry,
the measuring of human skulls.
With
glasses on, I peer over my printouts:
the
mathematical risk of suicide,
invariably
leaky latches on our play pens.
The
danger of finding oneself facedown in the
pool.
Knowing
the length of one’s own soul
is some
kind of eugenics — a heady joke
in a
room full of tinkering glasses,
when
we know the universe never stops
expanding.
Vibrations
of a self rippling over its
to-be-decayed
body —
We have
been both occupied
and
in exile.
unbearable
flatness
i
can see
all
you hide,
dry
sockets.
the
obscurity
in
nudity.
(not
frontal,
not
pornography:
sex math nerves
)
but
retreating.
from
hands
skin
fleeting.
try
pocket,
economize
save
catch
releasecatch
save
build release
(petit
drama;
circuitry)
a
seeping
hole
blown,
slippery
horizons
of a
different
metaphor
— stop
chasing. at last
an
eclipsing shadow
sweeps
across the breast
towards,
wanes, lost.
infinite
depth,
infinite
surface
cobwebs
without
overhangs:
unbearable
flatness.
indents
instead of scratches
i
press
“to
remember.”
no,
scratch that.
truth? — to
consume,
imbibe
imbed
in bed, bury.
i
press you
into
wine,
cast
in
plaster.
hold,
ladle me —
intent
on
spilling,
bubbles
clinging,
not
ready to join air.
locking,
not sweet.
selfish
oars stuck,
cast
aside.
bog
death
only
paleolith,
petrified?
p.s. i
press
against
error
a=b=c
if
you make it.
set
bones
mold. hurry.
trace
lines,
memorize:
i
end you begin.