from Story*
Jennifer
Firestone
It
doesn’t really matter as this is bound as fact.
“Laces
the spine, tightly.”
Not
fact per se, but a trajectory that is filed as such.
“Frame
catches wave catches frame.”
He
did say he was sorry when the seizure rapidly hit.
“Is
that a phone, or hum?”
Solipsistic
one’s story paging panting to tell.
“Morning
time, before beach time, they walk.”
What
a bastard this story spreading into the space.
“Before
beach, a new couple shine.”
The
story understands the couple can be moved freely, advanced.
“His
hat over one eye, she a coin purse.”
There
was a gray photo album with them smiling.
There
was the photo of the man who sold fish.
There
was the photo of her in a big hat.
There
was the photo of the quaint bungalow.
There
was a photo of fuchsia flowers.
There
was a photo of beach people.
There
was a photo of a shop.
There
was a photo of a coconut.
There
was a photo of the tide.
There
was a photo of an animal.
There
was a photo of a postcard.
When
the body gesticulates as punctuation
“Half
smile.”
When
landscape is used as emotion.
“Blue
on top of blue = depth.”
When
language is structured to be excerpted.
“A
cloud sinks into a white wave.”
Memory
believes it is active and operates with control.
“Sand
talk.”
Memory
takes cues from the ego that desperately flails with its needs.
“Turn
upside down, watch the sand drizzle.”
There
are so many stories that any given day can be told.
“Bodies
sat down and language delivers.”
*
This work is in conversation with Leslie Scalapino’s that they
were at the beach and
tracks a “story” located at the beach that is both revealed and withheld. In
many ways it’s an investigation of narration and memory. I
have created my own form in the book—a twist on the couplet.
Jennifer
Firestone is
an Assistant Professor of Literary Studies at Eugene Lang College
(The New School). Her books include Flashes (Shearsman
Books), Holiday (Shearsman
Books), Waves (Portable
Press at Yo-Yo Labs), from Flashes and snapshot (Sona
Books) and Fanimaly (Dusie
Kollektiv). Firestone co-edited (with Dana Teen Lomax) Letters
To Poets: Conversations about Poetics, Politics and Community (Saturnalia
Books). She has work anthologized in Kindergarde: Avant-Garde
Poems, Plays, Songs & Stories for Children and Building
is a Process / Light is an Element: essays and excursions for Myung
Mi Kim. She
won the 2014 Marsh Hawk Press Robert Creeley Memorial Prize. Firestone
is a member of the Belladonna Collaborative, a feminist poetry
collective and event series.