DELIVERANCES
by
W. Scott Howard
External
form, contour (that
quality)
of the materials—
figures
geometrical,
objects
depending
on constant
relations
of
position or proportionate
distances
among
all the points composing an outline or exterior surface—
a
particular variety
of
such
quiddity
impressed
semblance
dear
image, face in which
may
find true rest.
Of
the fabric, the make (apt
garment)
deft gesture—
appearances,
bodies
spectral
minutial
(limned
by
nature
or
by art) distinguished by anomalies & contraries—
visible
aspects of chance
arrangements
of parts
animal
or human
compositions
(of
words & etc.) beautiful
forms
intercalate—
manner
or course,
story’s
meander.
Shape-changer
shifter altering coverer
scattering
cross-sections of an atomic nucleus
of
a compound an independent formation,
an
algebraic factor of an aleatory line
predicting
the profile (in the expression)
like
a comely fitting shape-memory or
shape-mistress,
a shape-note, one of a series
having
heads (of different forms) representing
likeness
or likelihood, the degrees of a scale
for
any shape-smith or jocular corset maker.
A
motive or answer with reference
showing
signs, becoming efficient
positioning
with a particular or proper
stance
or inclination for a definitive
stroke,
gathering oneself together &
stepping
out as a gift of transference
(or
dismissal or decree from Fortune
or
Fate) granting for one person the wish
(delivered
of judgment) for one penalty
from
punishment appointed, released.
Excellence
of design, élan
nonesuch,
divine
errancy,
characteristic
habitus—
imaginary
creature, person
or
object animate
ruse,
otherself ethereal
glimpse
askance or guise
a
disguise (or jest devised) for a random stroll—
attitude
or condition
of
fitness or repair,
given
ways, rhythms
of
the mind, radiant
bouquets,
verisimilitudes
upstream
ribbons.
From
the beginning, heart
and
frame—to strike
instances
of meaning, origins
afterwards,
memory scapes ysaued
assayed
(sometimes
apprehended)
as foretold,
corresponding
with the One who makes, said of God or Nature—
likely
alteration, tailoring or carving
out
of something else, immaterial
non-conformable,
liminal thing—
of
speech (an example) to figure
or
set, to produce a remedy
devised
(or contrived
of
the sky) inclined to break
or
bring about.
W.
Scott Howard teaches
in the Department of English and in the Emergent Digital Practices
program at the University of Denver. He is the founding editor
of Reconfigurations:
A Journal for Poetics & Poetry / Literature & Culture. His
poetry may be found in Burnside Reader, Diagram, Eccolinguistics, Ekleksographia, Many
Mountains Moving,
and word for / word.