REUS
by
Tyler Cain Lacy
How
strange a
town
in
which
a
world
*
altogether
set
apart
one
could say innocent
one
could say pure
but
one wouldn’t be right
but
one tends to
a
world
within
a
system
of
lines
of
light shining
down
some streets
but
not necessarily
others
*
In
the morning
we
seek out
those
ones
and
pass
over
those
ones
a
beggar
appears
robs
you
of
your ease
to
walk these streets untouched
as
your hand remains
in
its pocket
untouched
as
this world
of
open
hands
untouched
*
I
never remember
this or that
in
Catalan so
when
I speak I make
sure
I’m close enough
to
things I make
sure
I’m far enough
from
things for it to go
either
way.
*
To
turn my memories
back into
experience
and
to keep
them
there
To
bring my senses
to
meaning and
to
sense.
*
This
world in which
people
wave “bye”
as
they pass
not
“hi.”
Déu
Adéu
A
day
in
reverse
“I
never got a word in.”
*
There
is a kind of rhythm
To
walking in the streets
There
is a certain shoulder
To
fit inside your shoulder
Perdona Ho
sento
“Pardon
me” “I
feel it”
Per
dir-ho clar, la llum és un parany
Cap
horitzó no em tempta com aquest
de
ratlles lleus que traço jo mateix
i
no em limita ni m'encercla. Clavo,
volenterós,
les ungles a la nit
per
obrir carreranys a tots els somnis 1
Per
dir-ho clar,
To
speak clearly,
To
put it clear
Per
dir-ho clar,
So
to speak
*
and
the question
of
inspiration
if
I can speak
of
such
a
thing
of
course
if
I can breathe
*
At
work at the vegetable store
they
told her she would be so much more
that
I would be
lifted
up
and
supported
but
all she does is demonstrate
reusable
bags.
“And
you, do you love
the
world?”
*
But
a beggar
to
cast us out
of
orbit
with
one another
floating
“not
forms
but
the marrow
of
forms,
pure
music
with
a body so lean
it
could
stay
in the air” 2
*
“Think
you could see yourself
settling
down
here?”
a
proper canvas-
sing
of his plight
at
the sliding doors
of
the supermarket
*
The
difficulty
of
painting
that
which moves
must
move
in
order to arrive
at
something
someplace.
The
stupidity.
To
think things
will
stop for me
or
for you.
*
that
sense that
I’m
not who
I
thought
I
was
A
building
was
moved
and
replaced
with
a tree
some
pigeons
a
lot of trash
and
stray cats
through
the streets
with
my
head
in
my
hands
*
He
needs
what
I have
to
his
two kids
a
paper cup
if
anything
a
decent human
being at
all
kind
anyone?
*
People
must
be the most
interesting
things
*
Do
you shit where you sleep?
All
over this world
things
are being turned
to
mush.
Mira
outside
my window
a
lady poops
between
two
cars.
*
I
close my eyes
but
the light
peeks
through
I
light a cigarette but the light
breaks
loose this
world
is
on fire
*
and
that illusion that
things
that happen
slow
are
better more true
I
too
see
truth
in
such illusions
*
A
moto zooms
by
and
so
then
go
my thoughts.
*
Walking
through the crowd
a
cloud
of
smoke
clogs
my
thinking
what
I meant
to
say what I had
in
mind
the
need to hear
what
I have
to
say
if
anything
at
all
*
Spend
more time leaning
on
things spend more time
leaning
towards
things
my
friend
an
architect
the
city
of
perfect angles
and
calculations
and
curves
of
the beauties
you
walk
by
Girl
what are you wearing
don’t
you know
it’s
cold
Por
el amor de Diós
as
the beggar says
on
his sign
For
the love of
God the
world
is with
or
without
me
unfortunately
for
this
I
get
weak
in
the knees.
*
The
world inside
the
round
vowels
how
I can’t
quite
wrap
myself
around
it
alrededor
is
the hardest
how
I can’t
quite
be
completely here
because
I can’t say it
and
I can’t be completely there
because
I can’t see it
how
it revolves
around
me
*
at
a café
over
by the church
with
this really great little sugar packet
with
a word game on it
SOPA
DE LETRAS
Busca
en esta sopa de letras
los
nombres de
7
FLORES
A
moto zooms
by
and
so
then
again.
1 Lines
from an untitled poem by Catalan poet Miquel Martí i Pol,
from his collection Estimada Marta,
Edicions del Mall, Barcelona, 1978.
2 From
Federico García Lorca’s essay “Play and Theory
of the Duende” from In Search of Duende,
(trans. Christopher Maurer), New Direction, 1980.
Tyler
Cain Lacy is
an MFA candidate at Columbia College, Chicago. More of his
work can be found at Otoliths and elimae.